Another poster I did for a local gig I helped promote.
Another poster I did for a local gig I helped promote.
So here’s the posters I designed for two gigs I’m helping to put on- one in London, the other in Margate. As per the press release “Girl Sweat is the ever-changing garage-noise project fronted by the 6ft 5” beast that is ‘Sweat’” along with the fine collection of psych and drone weirdos assembled in support. My brief for the poster was “illuminati/masons cult shit”. I hope I delivered.
FB event– Tickets £5 (early bird)/ £7 (advance)/ £9 (door)
FB event– Tickets £5.50 (advance) / £7 (door)
Margate is currently hosting a variety of art events related to T.S.Eliot (who wrote the Wasteland here almost a century ago), including a weekend dedicated to cats over Easter. I created this print based on Bulgakov’s the Master and Margarita, and a giant painted banner version of it to hang up at the show. It was a bit last minute, but I got it all done on time. The show is on at the Viking Gallery off Northdown Rd over the long Easter weekend and until the 7th of April.
I hadn’t realised until I was getting the Russian quotes for the text that the book is actually set this week, with the demons’ ball happening on Good Friday. Good synchronicity. The Cyrillic text says “The Master and Margarita” and “Behemoth lives!”
Prints are available from the gallery, or to order online here.
The banner is about 5ft/1.5m tall. It looks small in this photo, but it’s huge in real life. After we’d hung it, me and the curator decided to create a shrine to Behemoth’s demonic powers. The Russian quotes from the book on the wall say “manuscripts don’t burn” and “poison, give me poison”.
What to offer to a demonic Russian cat? Dead flowers, cat food and an empty bottle of vodka.
I also created some fake cult recruitment leaflets, in lieu of business cards.
Here’s some photographs I took of my friends’ band Very Friendly (an EP and hopefully album coming later this year) For a while we had intended to take some promo shots with a miserable day at the beach theme, and then the beach was suddenly covered in thick snow, so this happened over a lunch break. Harry eventually got warm again. Eventually.
Editing the photos was actually quite tricky. I took around a hundred, but with the snow flying around there were a lot with closed eyes or grimaces, and colour correction took a light hand. You have snow, water and skin, and you have to balance atmosphere with realistic skin tones.
Glyphr Studio– slightly clunky website that lets you make fonts from vector graphics
CW- non-sexual nudity in photos, body fascism, misogyny, sexual harassment, sexual assault. Don’t even think about leaving a creepy comment.
I’ve been thinking a fair amount lately about bodies and entitlement to them. Mostly fuelled by a combination of being cat-called on the street a lot lately, and meaning to start going to life drawing class again but not being able to afford it/getting round to it.
I started going to life drawing classes as a teenage art student, and I think it did me the world of good even outside of the art training. Spending an evening every week staring intently at some naked middle aged hippies gave me a far more realistic idea of what bodies should or could look like than the media ever could, and a lack of concern about taking my own clothes off (aided by a lot of medical appointments over the years that have involved getting naked, and sometimes being watched by a load of medical students). The weird squeamishness about nudity is always something that has annoyed me about the culture of the UK.
Here’s an illustration I recently did of Whitstable seafront. A3, A4 and A5 giclée prints are available here.
Here’s a gig poster I drew recently. I was given free reign to do whatever I wanted, and it turns out what I wanted was to do a fake cyanotype of pondscum. Facebook event for the show here.
So here’s my room. I moved to this small unfurnished flat in October, and until the New Year I didn’t have a bed or enough shelves, so everything was in boxes all over the place, and it didn’t look great. The other room has both the living room stuff and my desk, which isn’t ideal. Photos of that will have to wait because it’s currently covered in a load of paperwork and art stuff.
Pictures stuck to the wall- an assortment of postcards, photos I’ve taken, and prints friends have given me. I found the 70s bedsheets when I was clearing out my nan’s house (I now have about 7 different duvet covers because of this). The cushions were a gift from Morocco.
The chest of drawers also came from my grandparent’s house. The glowing thing on the left is one of those essential oil vaporisers. I mostly use a mix of lemongrass, cedar and bergamot oils in it (I have one in the other room too)
This flat has no storage outside of the kitchen cupboards. I would love to have an actual wardrobe and get rid of the clothes rail. See the edge of the fake Marimekko curtain. I realised when I moved that I actually previously had it hung up upside down, and the hem is weighted with a chain.
Lots and lots of books and cameras. The shelves are modular ones from Muji made of recycled paper. Each row is a separate unit. Every time I move house I think “my life would be so much simpler if I wasn’t interested in books, music or art- I’d have no stuff” (The records and art stuff are in the other room). I guess you can weigh up that trade-off yourself.
So I recently did some artwork for an album cover- Human Ruins by Dawnwalker (featuring Dane Cross from Sacred Son, who caused an incredible fuss last with the Black Metal fanboys with his choice of album artwork) . I did the moons and runes, and someone else did the photograph and logo. Photos courtesy of Mark from the band.
Hear a track: