Painting

Die grade Linie ist die unschöpferische Linie

Just before Christmas I ran a Hundertwasser-themed workshop as a fundraiser for 101 Social Club. (If you are not familiar with Austrian artist, architect, environmentalist and cranky old hippy Friedensreich Hundertwasser, I have written about him quite a few times- you can find the entries here) People had food and drink, learnt about Hundertwasser’s work and philosophies, and did three different casual art activities- collaborative line making, resist painting, and creating architectural models of Hundertwasser-style buildings out of recycled materials. All while listening to the fine selection of Can, Neu, Fennesz, Cluster, Faust and other artists from the playlist below (I had it on shuffle on the night)... Read More...

Benesse Museum collection

Benesse House on Naoshima doesn't allow photos of their modern art collection, so here is a selection of works I like by some artists I saw there. I though the space of the museum was wonderful, but the fact that there was no information about the artworks was a letdown. If you didn't know much about modern art already, you might not have got much out of the visit, which is a bad thing for a museum, seeing as one of the main reasons to go is to learn new things. ... Read More...

Andre Thomkins

When I was in Liechtenstein, I went to the Modern Art museum there. I was really impressed with the quality of the museum, especially in such a small country. They had a special exhibition about Swiss artist André Thomkins (whose estate had donated his works to the museum). I hadn't come across him before, but I really enjoyed what I saw (and his large array of German puns), especially the short film where he was talking and demonstrating how he made marbled paintings by floating lacquer on top of water, something he started experimenting with after washing a brush he'd been painting furniture with.... Read More...

Revert to Disarray

The gallery has some kind of connection with a hotel, and they held another event there the following night, with Jim Sclavunos from the Bad Seeds djing ( a strange mix of Iggy Pop and novelty jazz records), and a repeat of the music. It was quite a  surreal experience. I don't really drink in fancy hotels anyway, it not being in the budget. Also, on the way there, we stopped off to get some food, and eat it in a little park, the sort where office workers go to eat sandwiches. There was a crown green bowls contest going on in the middle of the financial district. We felt very civilised, watching bowls before going to socialise in a hotel.... Read More...

Hundertwasser

Every so often I like to write on here about things I like, and why I like them. I've (finally) been finishing my zine about Vienna, and there's a section about Hundertwasser in there, but I didn't really have enough space to say everything that I wanted to say, and in a b&w zine obviously you totally miss out on the colours, which are a major part of his work, so here is a longer thing about him and his work. I've visited the Kunsthaus/Hundertwasserhaus in Vienna quite a few times, and I wrote about one of my visits here. I first came across his work in 2001, when I was 16/17, and bought a £3 book from a discount shop because it looked interesting from a quick flick through. I'm glad I did! All the pictures in this entry are either taken by me, or come from hundertwasser.at. I don't feel like I've really caught  my exact favourites here, but collecting images from lots of different sources and making sure they were all credited properly would have taken a long, long time. Here's an overview of some things.... Read More...

Often Inclined to Borrow Somebody’s Dream Til Tomorrow

I'm a big Syd Barrett fan, but I really can't stand any of the stuff Pink Floyd did after he left (ironic, considering that my MA project supervisor is the guy who designed the cover for Dark Side of the Moon). Recently I went to an exhibition of his paintings, photos and letters. The gallery wasn't the most welcoming place, but I enjoyed the exhibition. I particularly liked the way he would just give his paintings to anyone who liked them. There were some pictures I really liked, but they didn't allow photographs, didn't sell postcards (only prints costing several hundred pounds) and the pictures on the website are covered in ugly watermarks. It's the same as when I went to the Hundertwasser museum in Vienna- an exhibition dedicated to an artist who when they were alive lived in an anti-commercial, diy way, is run after their death in the most snobby manner of the commercial art world available. (I'm not a fan of the atmosphere a lot of commercial galleries create, art is for everyone)... Read More...