The riso­graph lives again (after a fash­ion)

About five years ago I did two riso­graph prints, one based on Diana Wynne Jones’ Fire and Hemlock, and the other on Eurip­ides’ Bacchae. Each print was an edition of 50, and I sold all of them a long a time ago (except for a couple of copies I kept for myself). Now I have a giclée print­er though, I have resur­rec­ted them as a new edition. This time they’re prin­ted on Canson Infin­ity rag museum paper, which is an acid free and archiv­al water­col­our paper for fine art digit­al print­ing.

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