Read­ing Diana Xpro

I’ve been work­ing through scan­ning a moun­tain of old films. Here’s some from 2004. I was living in Read­ing and study­ing at the univer­sity there. I also hand­ily had a part-time job in a film lab, result­ing in free devel­op­ment. At the time I got a cd of the photos, but I have no idea what happened to it.

Published
Categorised as Photography

Dawn­walk­er

So I recently did some artwork for an album cover- Human Ruins by Dawn­walk­er (featur­ing Dane Cross from Sacred Son, who caused an incred­ible fuss last with the Black Metal fanboys with his choice of album artwork). I did the moons and runes, and someone else did the photo­graph and logo. Photos cour­tesy of Mark from the band.

Green concrete

Here’s an illus­tra­tion of a car park in Brack­nell. Like the one I did yester­day, the origin­al artwork was a pen and ink draw­ing, and the colour was added digit­ally. It’s avail­able as a print in three differ­ent sizes, from £6 to £24.

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Categorised as UK

The riso­graph lives again (after a fash­ion)

About five years ago I did two riso­graph prints, one based on Diana Wynne Jones’ Fire and Hemlock, and the other on Eurip­ides’ Bacchae. Each print was an edition of 50, and I sold all of them a long a time ago (except for a couple of copies I kept for myself). Now I have a giclée print­er though, I have resur­rec­ted them as a new edition. This time they’re prin­ted on Canson Infin­ity rag museum paper, which is an acid free and archiv­al water­col­our paper for fine art digit­al print­ing.

I’ve got it on, your favor­ite tee, it never looked as good on you as it looks on me

Talk­ing of 90s reviv­al, I real­ised that the clothes I was wear­ing yester­day were some­thing I could easily have been wear­ing 20 years ago. This isn’t the actu­al shirt I had as a teen­ager (that one, like all of them, inex­plic­ably had a German flag on the arm), but it’s pretty much the same. I got this one from an army surplus store at some point in my 20s for £4, but by mistake they gave me two, so it essen­tially cost me £2. I recently saw some identic­al shirts in Topshop for about £40. Some­times it pays to be a loser who never throws anything away. Until about five years ago I actu­ally did have a top I’d been wear­ing since the early 90s. It was a burgundy and black ribbed thing that seemed to be made of near-indes­truct­ible mater­i­al.

Published
Categorised as Photography

If it ain’t brack­en, don’t fix it.

I refuse to apolo­gise for that pun, you’ll just have to suffer. Here is a photo I took of myself recently in my dad’s garden. I can’t remem­ber the last time I had a new photo of myself bar a few awkward phone snaps when I’ve been out. Perhaps you could say I was commun­ing with nature when I took this photo, but I was sat on a plastic bag to avoid sitting in anything nasty hidden under­neath the plants, so I don’t think I was that in touch with nature. Luck­ily we don’t have pois­on ivy or danger­ous snakes in this coun­try, I was more worried about the milder perils of sting­ing nettles or fox drop­pings. I was also a little limited with angles and fram­ing, because stick­ing a wide-angle lens in your face is rarely flat­ter­ing, but I couldn’t get the distance to use my portrait lens because I didn’t have a tripod with me.

Fabric designs

I finally got the print­ing samples back of the fabrics I designed. They are all avail­able on Spoon­flower, a print on demand fabric site. I was very pleased with the end results. I was a little nervous about how they would come out, because I didn’t stick to the recom­men­ded colour palette from the site, but the colours came out exactly as I wanted. You can order them as fat quar­ters or by the meter/​yard. I recom­mend getting them prin­ted on the kona cotton. If you do order any fabric, make sure to wash it on a delic­ate cycle with a less harsh deter­gent like ecov­er.

Amoe­bas

For the last two weeks, I’ve been doing work exper­i­ence at an anim­a­tion studio. I know I don’t want to be an anim­at­or (too much minute adjust­ing of other people’s artwork!), but it’s been good to do anyway. I’d much prefer to design things, and then hand them over to some anim­at­ing wonder, who would do a much better job than me. I made some minor contri­bu­tions to an advert for Cana­dian tv (I’ll prob­ably link it when it’s been on later in the year) and did cost­ing for getting some promo­tion­al gifts made, but the most valu­able thing has actu­ally been just talk­ing to people. Every­one is very friendly and help­ful, and has insight­ful things to say.

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