So here’s my playlist from Croatia- it goes with the zine I wrote about the trip. I just seemed to want to listen to nothing but David Lynch type music and the Deftones the whole time I was there. Also features an honorable mention for Iron Maiden, this time not playing simultaneously with Bieber.
Here’s a Spotify playlist I made while I was in Japan, of Japanese artists and music that matched my mood at the time. (All the Japanese bands are marked with a J).
- Drop- Cornelius (J)
First up Cornelius, from Tokyo. Keigo Oyamada was really big in the late 90s/early 2000s, but seemed to drop under the radar a bit in recent years. Wikipedia has now told me that he has a new album out this year, so I need to give that a listen.
- 1979- Smashing Pumpkins
I have no shame. I was a big Smashing Pumpkins fan as a teenager, Zero shirt and inadvised bleached fringe and all. I stuck some 90s mix on the hotel tv’s youtube app, and this came up, and I remembered just how fun the video is. (James Iha also has roots in Japan).
- (circle)- Boredoms (J)
ALL THE DRUMMERS YOU COULD WANT.
- Soon- My Bloody Valentine
I don’t think you could do a Japan playlist without any My Bloody Valentine. I never made it to the Tokyo Hyatt bar from the film (it’s an expensive place). However I did get to stay at the Kyoto Hyatt after winning a voucher, and the included breakfast was the best and most comprehensive I’ve ever seen. Please note that I certainly did not smuggle any bags of extra cakes or fruit back to the room for lunch. Didn’t happen.
- Farewell- Boris (J)
A playlist of Japanese music wouldn’t be complete without Boris. Here they are at their most relaxing.
- Knife Party- Deftones
I’ve been on a Deftones kick lately after having not listened to them for years. White Pony still holds up great 17 years later. One of the few Nu Metal bands with any brains.
- Oto- Sakamoto & Fennesz (J)
A collaboration between Ryuichi Sakamoto and Christian Fennesz, mixing Sakamoto’s piano music, and Fennesz’s ambient sounds. One of the strangest little details about regularly going to work in rural Austria, is that I often go to Fennesz’s home region, Burgenland. It’s the smallest region of Austria (and used to be in Hungary) and they don’t have many famous people aside from Liszt. So they’re unusually proud of Fennesz and you find his records for sale in unexpected places like the Austrian equivalent of WH Smith’s.
- Apple- Cibo Mato (J)
Still going strong with or without the membership of Sean Lennon.
- Panda- Dungen
Not from Japan at all, from Sweden and in Swedish, but their early 70s kind of sound seemed to fit my mood well crossing Japan by train. Also named after a panda of course.
- Sometimes- My Bloody Valentine
- Last Target On The Last Day- Melt Banana (J)
Every time I have ever seen Melt Banana live I have come home completely covered in other people’s sweat, but with no regrets.
- Astronaut- Beach House
Every time I have seen Beach House live has been a sleepy mid-afternoon time on the second or third day of a festival either in warm weather or indoors relaxing on the floor. I think that sums them up in the same way “other people’s sweat” does for Melt Banana. I listened to this album a lot running along the shore of the Seto Inland Sea by rickety banana yellow local trains much like that in Spirited Away.
- Aware- Sakamoto & Fennesz
- Ghost Ship In A Storm- Jim O’Rourke
Jim O’Rourke despite being associated with Chicago, now lives in Tokyo. For some reason I always associate his songs with Chris Ware and Daniel Clowes. I guess it’s a similar view of life in their writing.
A few weeks ago I went to see Sleater-Kinney, one of my favourite bands, at the Roundhouse. They had been on hiatus since 2006, with the members working on other projects like Portlandia in the meantime, so I was pleased and surprised when they announced a new album and tour. The last time they had played in the UK was when I was doing my finals, so I’d had to give it a miss. I’d seen them before at Reading Festival, but I never really count short afternoon festival sets at massive outdoor festivals like Reading as really seeing a band properly, because you’re basically watching them on a tv screen standing at the other end of a field (one of the many reasons I don’t go to them any more). I don’t think I have ever been to such a big gig as the Roundhouse one where I just constantly ran into so many people I know and like, it was almost too much, there was someone new to say hello to every time I turned around . The band themselves were superb, and played for an hour and half. I don’t think you could ask for more, really. Read more
Long time, no see. I’ve been without a computer recently. Now it’s been fixed, I’ve got a bit of a backlog of posts. This is a spotify playlist I made a little while back. I was going for a introspective and slightly witchy mood.
[spotify id=”spotify:user:emmafalconer:playlist:5gMEFxaLcCeGYIOlBuvZac” width=”300″ height=”380″ /]
1. I Found the F- Broadcast
I never got to see Broadcast properly live. I caught part of their set once at ATP when they were on really early, but I wasn’t in a hurry because they were a UK band, so it seemed like there were plenty of chances to see them. And then of course Trish Keenan sadly died of pneumonia, so no more Broadcast. I always categorise Broadcast with Stereolab and Ladytron in my head, except instead of focusing on 60s jet age stuff, they’ve been watching loads of Oliver Postgate and eerie 70s Nigel Kneale tv shows. Last year I went to a Halloween special event at the UCL Archaeology department themed on “Archaeology and the Uncanny”. As well as actual archaeology there were talks about portrayals of archaeologists in the media, literature etc (Nigel Kneale was a name that came up pretty often). Fictional archaeologists who aren’t Indiana Jones usually discover some forbidden secret and come to a nasty end.