Soph­ie Woodrow sketch­book page

I’ve really been in a creat­ive slump under lock­down. All that time, no motiv­a­tion. I forced myself to do some draw­ing today- just some simple sketches of some ceram­ic sculp­tures by Soph­ie Woodrow that I’d admired. I think it did me some good.

Mycenae­an Grave Goods

I was tidy­ing up and found some bits from art school ten years ago. Here’s some prelim­in­ary sketches I did for a project based on Mycenae­an arte­facts. Rather than draw direct, I drew vari­ous motifs on some acet­ate with mark­er, and then held it on the cyan­o­type paper with glass to expose the pictures. These prints were not the final project, I don’t know where that has gone. They were more prelim­in­ary explor­a­tion work.

Ink Master Copies

I had a whole folder full of artwork masters, so I decided to stick them into sketch­books this after­noon (these kraft paper folio-sized books are around £6 from Muji). I tend to draw the line artwork by hand with a non-photo blue pencil and posca mark­er, and correct mistakes/​add the colour digit­ally.

2012 sketch­book

While clear­ing up, I found an old sketch­book from 2012. Here’s some photos of some pages.

Plan­et­ary Urban­isa­tion

Yester­day I went to a talk at Well Projects from anthropologist/​sound artist Dimitri­os Borm­pouda­kis from the Univer­sity of Kent as part of A Cut From Sharp Grass, “a visu­al art exhib­i­tion & series of public events developed in response to the increas­ingly urban­ised, networked & tech­no­lo­gic­ally integ­rated land­scape of Kent”. Here’s my sketch­book notes from the talk.

Feral Prac­tice

Earli­er this week I went to a free art work­shop hosted by Open School East. Open School East is a combin­a­tion art course/​residency and students are required to organ­ise public art work­shops. This time envir­on­ment­al artist Fiona MacDon­ald aka Feral Prac­tice was the visit­ing artist. There was a talk about ants and fungi and the aim of “meet­ing  with animal/​plant/​place through the processes and reflex­iv­ity of art”, and then we went out into a local park with a wood­land area to do some clas­sic sensory/​location art activ­it­ies. Here are my sketch­book pages and some snaps from the day.

A magi­cian calls

Anoth­er old sketch­book page I scanned in. This one is from a couple of years ago. I was teach­ing on a resid­en­tial course for teen­agers. It was in an old nunnery in the middle of nowhere, so the staff organ­ised a lot of even­ing activ­it­ies and film show­ings to keep them amused. One night a magi­cian came to do a show, and I made these notes.

Visu­al Diary

As part of my MA, we were required to keep a creat­ive diary keep­ing track of the profes­sion­al prac­tice lectures, research, read­ing, exhib­i­tion visits and gener­al inspir­a­tion. I finally got around to scan­ning some of the one from my second year. In the first year I used blog posts for the same purpose, but I felt the need later on for a phys­ic­al record.

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