The risograph lives again (after a fashion)

About five years ago I did two risograph prints, one based on Diana Wynne Jones’ Fire and Hemlock, and the other on Euripides’ Bacchae. Each print was an edition of 50, and I sold all of them a long a time ago (except for a couple of copies I kept for myself). Now I have a giclĂ©e printer though, I have resurrected them as a new edition. This time they’re printed on Canson Infinity rag museum paper, which is an acid free and archival watercolour paper for fine art digital printing.

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