About five years ago I did two risograph prints, one based on Diana Wynne Jones’ Fire and Hemlock, and the other on Euripides’ Bacchae. Each print was an edition of 50, and I sold all of them a long a time ago (except for a couple of copies I kept for myself). Now I have a giclée printer though, I have resurrected them as a new edition. This time they’re printed on Canson Infinity rag museum paper, which is an acid free and archival watercolour paper for fine art digital printing.
I refuse to apologise for that pun, you’ll just have to suffer. Here is a photo I took of myself recently in my dad’s garden. I can’t remember the last time I had a new photo of myself bar a few awkward phone snaps when I’ve been out. Perhaps you could say I was communing with nature when I took this photo, but I was sat on a plastic bag to avoid sitting in anything nasty hidden underneath the plants, so I don’t think I was that in touch with nature. Luckily we don’t have poison ivy or dangerous snakes in this country, I was more worried about the milder perils of stinging nettles or fox droppings. I was also a little limited with angles and framing, because sticking a wide-angle lens in your face is rarely flattering, but I couldn’t get the distance to use my portrait lens because I didn’t have a tripod with me.